EN RO















#Exhibit of the Month

>>>

Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures. It was first discovered and used in China. The first Chinese porcelain objects arrived in Europe in the 13th century, but a broader spread of Chinese porcelain on the European continent is recorded in the 17th century. The technology for producing porcelain was kept a secret by the Chinese for a very long time.

The first hard-paste porcelain manufactory in Europe, located in the city of Meissen, was established in 1710 due to discoveries in porcelain production made by Saxon mathematician and physicist Ehrenfried Walter von Tschirnhaus (1661-1708), which were put into practice by the royal court alchemist Johann Friedrich Böttger (1682-1718). He invented the glaze and achieved the complete fusion of the shard and the glaze. The Meissen factory, still operational today, has created and continues to create a vast range of porcelain products. Crafted by the finest artists, sculptors, and engravers, who use unique hand-painted colors and exclusive designs, Meissen products are of exceptional quality and elegance, enjoying worldwide fame.

The tea set, partially consisting of seven pieces (teapot, milk jug, sugar bowl, and two cups with saucers), displayed in this showcase, is a product of the famous Meissen factory in the Kingdom of Saxony, Germany. It was crafted in the first half of the 19th century from high-quality porcelain. The exhibit became part of the collection of the National Museum of History of Moldova through a transfer from the "G. Cotovschi" Memorial House in Hâncești, which was closed in 1989-1990.

The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.

The marking on the underside of the pieces consists of two crossed swords, elements borrowed from the coat of arms of the Kingdom of Saxony, applied by hand with cobalt paint under the glaze. With slight variations in the representation of the swords, this mark has been used since 1722 and continues to the present day. The mark on this tea set is characterized by prominent dots on the crossed swords, a feature used at the Meissen factory between 1815 and 1860.

The polychrome floral painting, gilding, and the application of a rosebud on the lids of the teapot and sugar bowl lend a sublime delicacy to these pieces, making them rare and exquisite.


Virtual Tour




Akinakes in the west of Scythian world

Akinakes in the west of Scythian world

Biblioteca „Tyragetia” XXXV, Chișinău, 2021, 648 p. ISBN 978-9975-80-903-0; 978-9975-87-897-5

The monograph systematizes data on Scythian blade weapons from the territory of Central and South-Eastern Europe (Moldova, western Ukraine, Romania, Bulgaria, Serbia, Hungary, Czech Republic, Slovakia and Poland). The paper examines in detail the finds of swords and daggers of the Scythian period (more than 200 artifacts), analyzes the chronological positions of these objects based on burials, and reveals a correlation with other types of weapons. The typological features of the weapons of the early nomads are studied against a broad cultural and historical background, covering all simultaneous cultures of the Eurasian steppe cultural continuum of the Scythian period from northwest China to Silesia, including Siberia, the Volga-Urals, the Balkans and the Caucasus. Thus, fundamental changes in the morphology of the Scythian akinakes were traced, "cultural types" were identified, the sources of generation of types of the Scythian akinakes were determined, and the dynamics of the displacement of these sources in time was shown. The book is in Russian and contains 648 pages of text, 212 figures, 40 catalogue tables and 16 color plates.

Contents


Introduction
Acknowledgements

1. FROM FIRST OBSERVATIONS TO FIRST TYPOLOGIES. HISTORY OF THE STUDY OF SCYTHIAN SWORDS AND DAGGERS

1.1. 1870-1940. First observations
1.2. 1950-1980. First classifications
1.3. 1990-2010. First typologies

2. "IDEAL TYPES" OF NON-IDEAL TYPOLOGY. EURASIAN ISSUES OF THE STUDY OF SCYTHIAN SWORDS

2.1. The origin of akinakes
2.2. Dimensional groups of Scythian blades
2.3. Ceremonial swords of early nomads and akinakes from Vettersfelde
2.3.1. Ziwiye hoard
2.3.2. Oxus treasure
2.3.3. Vettersfelde hoard

3. EARLY SCYTHIAN FORMS AND THEIR REFLECTION IN THE WEST OF THE SCYTHIAN WORLD

3.1. Bronze akinakai and early Scythian scabbards
3.1.1. Gudermes type
3.1.2. Bronze akinakai of Asia
3.1.3. Posmuș type
3.1.4. Early Scythian bouterolles
3.2. Kelermes type and its "western" variations
3.2.1. Local Early Scythian forms of Carpathian-Danube region

4. MIDDLE SCYTHIAN PERIOD. SEARCH FOR NEW SHAPE

4.1. Early Middle Scythian period. Expansion to the steppe
4.1.1. Shumeyko type
4.1.2. Vettersfelde type
4.2. Final of the Middle Scythian culture. Cozia type
4.3. Nógrád type and Scythian single-edged swords

5. ANTENNAE OF SCYTHIAN AKINAKAI. EVOLUTION OF AN IDEA

5.1. Evolution of akinakai with antenna pommel
5.1.1. Representation on the monumental sculpture
5.1.2. Antenna pommels in the Early Scythian period
5.2. "Beautification" of the pommel. Găiceana type
5.2.1. Marychevka type
5.2.2. Issyk type
5.3. "Uglification" of the pommel
5.3.1. Grishchentsy type
5.3.2. Beixinbao type

6. CLASSICAL SCYTHIA AND "GOLDEN FALL" OF SCYTHIAN SWORD

6.1. Solokha type and the final evolution of the antenna pommel
6.2. Chertomlyk type and the "Indian summer" of the Scythian culture
6.3. Shulgovka type and single-edged weapons in Classical Scythian period

7. DANUBE REGION. CHRONOLOGY OF LOCAL GROUPS

7.1. Typology of cultural groups based on the weaponry
7.2. Northwest (Polish) group
7.2.1. Northwest (Polish) group
7.2.2. Tisza (Hungarian) group
7.2.3. Transylvanian group
7.2.4. South Carpathian (Wallachian) group
7.2.5. South Danube (Bulgarian) group
7.2.6. Carpathian-Dniester (Moldavian) group
7.2.7. Steppe Black Sea group (Lower Danube and Lower Dniester)

Conclusion
Bibliography
List of abbreviations
Catalogue of swords, daggers and scabbard elements of the Scythian period in the Danube region
Summary (in English)
Summary (in Romanian)
Figure captions
Colour figures




 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

Come to Museum! Discover the History!
  
Visit museum
Visit museum
Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 10 MDL, pensioners, adults with moderate disabilities / disability of the 3rd degree, students - 5 MDL, school students - 2 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures...

Read More >>

































The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC